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The Architecture InFormation studio has a continuous research
agenda that re-considers the history of systems and components
in post- war 20th century architecture and further re-examines
the implications of a cellular or componental approach in contemporary
architectural design practice and aesthetic discourse. The research
was initiated in the Informed Modularity studio in the spring
of 2006, continued in the Architecture InFormation studio 2006-2007,
and commences in the Articulations studio 2007-2008.
AIF Articulations 2007-2008 was initiated by the three-week
Articulations Primer,
that introduced important concepts and techniques vital to the
studio AIF
Artculations 1 that is currently underway and ends on December
21. AIF Articulations
2 and 3 are continuing the issues introduced during the
spring of 2008.
Architecture InFormation
/ Articulations
Main Brief Academic year 2007-2008
NEW: Articulations 2+3 (spring semester) brief on-line:
www.arch.kth.se/aif/AIF_articulations_2+3.pdf updated
09/12/2007
Articulations 1 (fall semester) hand-in requirements
now on-line:
www.arch.kth.se/aif/AIF_articulations_brief_phase 2.pdf
updated 05/12/2007
Phase 2 schedule is now on-line:
www.arch.kth.se/aif/schedule.pdf updated 17/11/2007
Resources from the Articulations Primer and program
+ sites for the forthcoming studio now online at:
Articulations Resources
The AIF Articulations studio will focus on
the design, modulation and construction of new modes of transparencies
and visibilities and their affects (with plural emphasis). What
are transparency, visibility and semi-visibility today? What
are their gradients? How do they grow and adapt to site and
program and what aesthetic strategies do they produce? As a
case for this endeavour the studio will be dealing with the
design of a series of independent media production buildings,
where an interesting reciprocal relationship between technology
and the material is active. This will be paralleled by a rigorous
investment and research into digital design, digital fabrication
and industrialized production.
Through developing aesthetic strategies, dealing with aspects
of transparency and visibility the studio will explore the potentials
for the design of a series of independent media production companies.
The studio will be pushing extreme ideas concerning architectural
design, performance and affect. Affect goes beyond the material
physical limitations of the built and starts to influence the
surrounding environment. This approach enables us to rethink
aspects of visibility and transparency, allowing new modes for
conceiving, investigating and producing architectural design.
Since visibility suggests the relative ability to be seen under
given conditions of distance, light or atmosphere, it is interesting
to inform the notion of visibility and propose various stages
of visibility. Camouflage allows an otherwise visible organism
or object to remain indiscernible (barely visible) from the
surrounding environment. In map design, on the other hand, there
is the technique differentiation which is described as the ability
to easily discriminate the main figure from the ground. The
studio will be looking at many ways of articulating different
modes of transparency and visibility appropriate to aesthetic
ambitions, utilising parametric design systems and digital fabrication
techniques. The development of these conditions will entail
design strategies of amplification, modulation and deformation,
mediating between space, structure, ornament and the purely
decorative.
The organisation and production of media, especially broadcasted
information, is going through transformations. Print media,
and radio and television broadcasts, are today being redefined
by the speed of technological change through the Internet and
telecommunications. Many media buildings are today housed in
facilities that are culturally, physically, organizationally
and technologically becoming obsolete. In parallel, contemporary
architectural design practice is shifting to new cellular or
componental approaches, including the modularisation of skill
and expertise, industrial production and construction systems
as well as business models.
Last year the students in the Architecture InFormation studio
proposed designs for a new Swedish Public Service building complex.
This year we will start by looking at smaller and independent
media production companies. If much of public service is being
produced by independent media production companies, what are
the potential for the design of such a series of buildings.
What potential identities amongst other public and private institutions
in the built environment, are there? How are they made visible
or how do they blend with the urban or rural fabric, depending
on site context? Are they physically made accessible or does
media technology take care of the accessibility via internet,
radio, television and cell phone technology?
Design, Research and Theory
The main driver for our investigation is design work, supported
by digital parametric design systems, as well as digital fabrication
techniques. In parallel, we will research contemporary production
techniques, later making use some of those techniques for production
tests. AIF will set up an infrastructure for connecting the
studio teams with different local production and fabrication
companies in Sweden to be able to, by the end of the spring
term, make a full scale prototype of a small part of the cellular
and componental study. The studio will be exposed to contemporary
architectural theory in dialogue with architectural practice
through a series of seminars.
techniques//
The studios will rigorously explore the tools of digital media
in architecture especially through 3D modelling and physical
prototyping. Students will use parametric modelling techniques,
benefiting from skills and knowledge generated by previous Architecture
InFormation studios. Modelling in Rhino as well as in the GenerativeComponents
parametric application for Microstation will be employed. Advanced
use of physical prototyping technologies such as laser cutting
is integrated in all design stages. A very important focus of
exploration is the ways in which new information and fabrication
technologies can transform the production of architectural space,
as well as the operation of architectural practice.
teams//
Students will be working in teams to stimulate the discussion
and to generate a common database of knowledge. The teams will
be structured in a way that will allow for individual expression
and development. Further the team approach allows for the parallel
development of different perspectives and scenarios within one
and the same group.
archive//
The AIF Research Archive is a valuable resource with over 50
different articles, including both research references and proposals.
This archive was initiated in the Informed Modularity 4th year
studio in the spring of 2006; a valuable resource for the Architecture
InFormation studio this year. The archive will be expanded over
the scope of the studio.
International study trips//
Previous years the studio has made trips to London visiting
advanced users of the approaches and techniques we employ. In
depth presentations have been given by companies such as KPF,
Buro Happold, AdamsKaraTaylor, UntoThisLast, Aedas and Foster
+ Partners, and collaborative workshops have been conducted
with students and tutors at the Architectural Association and
London Metropolitan Schools of Architecture. A potential trip
for this year will be discussed during the fall.
Requirements//
Each semester all students must:
Have 80% attendance on all compulsory activities, including
seminars, reviews and tutorials.
Submit DESIGN task according to specifications.
Submit RESEARCH task according to specifications.
Participation in study trip or alternate activity.
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^_Architecture
In-Formation Studio Components:
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DESIGN task//
The DESIGN task is the main focus of each semester. The task
involves a design proposal as well as system design. Important
issues are technological impacts on design decisions, and architectural
qualities with in developed proposals and systems.
RESEARCH task//
Each semester includes a RESEARCH task, in which teams conducts
individual and/or group research on historical and contemporary
references. The collected Research Archive with common references
supports the overall work.
archive//
The collective work within the studio is assembled into a common
archive, including both research references and proposals.
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^_Architecture
In-Formation Techniques:
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The studio rigorously explores the techniques of digital media
in architecture, especially through complex geometries and parametric
and scripted 3D modelling. A very important focus of exploration
is the ways in which new information and fabrication technologies
can transform the production of architectural space, as well
as the operation of architectural practice. Examples of some
of the techniques employed are modeling and scripting in Rhino
and the Generative Components parametric application for Microstation.
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^_Architecture In-Formation
Teacher team:
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Ulrika Karlsson is one of
the four partners/founding members of the international architectural
research and design collaborative servo. She is a board member
of AKAD - the Academy of practice based research in architecture
and design - and a member of design research group Krets. Ulrika
has been conducting PhD research at KTH and has been teaching
at different Architecture Schools both in Europe as well as
in the US since 1997. She received her Master of Architecture
from Columbia University, New York.
www.s-e-r-v-o.com
www.krets.org
Jonas Runberger is a practicing
architect, a PhD candidate at the KTH School of Architecture
and a member of the architecture and design research group Krets.
Employed at Scheiwiller Svensson Architects since 2000, he has
been involved in design and production of residential, commercial
and educational buildings, as well as being the director of
the ssark medialab. He has been teaching at the KTH School of
Architecture, the ETHZ School of Architecture (Zurich) and was
a Visiting Fellow at RMIT School of Architecture (Melbourne).
A graduate from the KTH School of Architecture, Jonas has also
studied at Chalmers and the Bartlett (London).
www.runberger.net
www.krets.org
Thomas Wingate's
early fascination by the experiences and environments created
for theatre lead him to start designing costumes and sets, as
well as creating events and experience-spaces for people. From
there he went on to do interior design work, and later becoming
a 3D CAD specialist in architecture. Thomas worked as a freelance
Creative Director and Project Manager between 1995 and 2002,
designing, developing and building interior and exterior space
for interiors, theatre, film and TV set design and architecture.
Since 2002 he has focused more on computational geometry and
CAD tools. Today his main interests include information modeling,
as well as process and supply-chain challenges, recognizing
them as the greater bottlenecks to achieving the architecture
we dream of. Thomas was co-tutoring the Architecture InFormation
/ Device InFormation studio in the fall of 2006.
www.wingate.se
Erik Hökby recently graduated
as an Architect from the School of Architecture, KTH. He is
currently working for the architecture office of servo Stockholm.
Erik has also studied architecture at the Stuttgart Institute
of Architecture. He has been teaching in the Informed Modularity
course and in the Communication course for 2nd year students
at the School of Architecture, KTH. Erik was co-tutoring the
Architecture InFormation / Cell Tales and Architecture and Mass
Media studios in the spring of 2007.
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